As per Joel Sternheimer, excerpts and links
provided below along with commentary
On concepts and issues from an SOS perspective
;
"VICE" MAGAZINE DESCRIBES US ; "As for the frequencies themselves, Donald
Adams,
a mathematician and former Microsoft software engineer from
Edmonton, created them under
his company Sound of Stars. Using a huge database of research
from the alternative and
contemporary health scene, he created mathematical maps of
the different states of the brain
and applied them to an algorithm, which spat out the
frequencies. His catalogue mostly deals
with healing and eliminating negativity. That's how the idea
came of using it at parties.
I gave it to a friend, DJ Noor, just to experiment with his
own creativity, but then it led to the
idea of us experimenting with audiences."
https://www.vice.com/en/article/qkazgw/canadian-electromagnetic-instrument
WHATS NEW
AND EXCITING AT S.O.S ?
it is known that the physical existence
of quantum waves associated to particles propagate themselves not only in
space-time, but also in that scale dimension, thus linking together successive
levels of the organization of matter.
These waves allow an action of one
scale onto the other, between phenomena that are similar enough to constitute,
in a mathematically well-defined sense, harmonics of a common fundamental tone.
The theoretical reasons for the
existence of scaling waves makes them appear as a universal phenomenon whose
function is at first to ensure coherence between the different scales of a
quantum system, and that especially takes shape and can be described in the
process of protein biosynthesis.
In the case of animals having a nervous system the sound wave is transformed into electromagnetic impulses of the same shape and frequency right from the starting point of the auditory nerve. These impulses, by virtue of the scale invariance of scaling wave equations applied to the photon (which generalize Maxwell's equations), have a direct action, by scale resonance, on their quantum transpositions. Because the squared quantum amplitudes are proportional to the number of proteins that are simultaneously synthesized, the resonance phenomenon results, in the case of scaling waves in phase, in an increase of the rate of synthesis, as well as a regulation of its rhythm, and in the case of scaling waves in phase opposition, in a reduction of this rate. (cf. P. Buser and M. Imbert, Audition, Hermann diteur, Paris, 1987). Among plants, the sensitivity to sounds is visible through interferometry and the scaling waves behave theoretically in a similar way.
[0003] Demonstration of
the musical properties of elementary particles suggests an important role for
the scale at which the phenomena happen. (J. Sternheimer, C. R. Acad. Sc. Paris
297, 829, 1983). For example, it is known that the physical existence of
quantum waves associated to particles propagate themselves not only in
space-time, but also in that scale dimension, thus linking together successive
levels of the organization of matter. (J. Sternheimer, Colloque International
"Louis de Broglie, Physician et Penseur", Ancienne Ecole
Polytechnique, Paris, Nov. 5-6, 1987). These waves allow an action of one scale
onto the other, between phenomena that are similar enough to constitute, in a
mathematically well-defined sense, harmonics of a common fundamental tone. (See
J. Sternheimer, Ondes d'e'chelle [scaling waves], I. Partie Physique; II.
Partie Biologique. Filed at Academie des Sciences (Paris) 1992 under seal no.
17064).
[0004] The theoretical reasons for the existence
of scaling waves makes them appear as a universal phenomenon whose function is
at first to ensure coherence between the different scales of a quantum system,
and that especially takes shape and can be described in the process of protein
biosynthesis. The peptidic chain elongation effectively results from the
sequential addition of amino acids that have been brought onto the ribosome by
specific transfer RNAs (tRNAs). When an amino acid, initially in a free state,
comes to affix itself to its tRNA, it is stabilized with respect to thermal
agitation --while keeping a relative autonomy because it is linked to the tRNA
by only one degree of freedom--for its de Broglie wavelength to reach the order
of magnitude of its size. This stabilization gives the amino acid wave
properties.
These waves allow an action of onescale
onto the other, between phenomena that are similar enough to constitute, in a
mathematically well-defined
sense, harmonics of a common
fundamental tone.
The theoretical reasons for the
existence of scaling waves makes them appear as a universal phenomenon whose
function is at first to ensure coherence
between the different scales of a
quantum system, and that especially takes shape and can be described in the
process
of protein biosynthesis.
see also ;
https://baumier.net/new/en/home/documentation/
The theoretical research of Joλl Sternheimer
led him to introduce additional dimensions to space-time. That is to say that
beyond the dimensions of our usual universe (length, width, height, and time),
dimensions that escape our 5 senses necessarily exist to maintain the coherence
of the universe. Some of these additional dimensions are interpreted as being
dimensions related to the subject.
In short, this would mean that the
observation of an object by a person underlies a vibratory
"connection" inducing that there is a subject in the observed object.
The implications of these assumptions
are very important in the way we perceive and act in the world.
The theoretical reasons for the existence
of scaling waves makes them appear as a universal phenomenon whose function is
at first to ensure coherence
between the different scales of a
quantum system, and that especially takes shape and can be described in the
process of protein biosynthesis.
[0029] The
application of the universal code results in scaling waves respectively in
phase with and in phase opposition to those taking place during the synthesis
process. The term "universal code" means that this code is identical
for all proteins to within the approximation of the tempered scale; the low A,
for a central frequency located 76 octaves below the centre of gravity of the
initial frequencies of leucine, isoleucine, and asparagine, is at 220 Hz. The
expression of harmonic distance given above extends the definition suggested by
Y. Hellegouarch in C. R. Math. Rep. Acad. Sci. Canada, Volume 4, Page 227,
1982. The exact values of the frequencies depend on the proportions of the
groups of the above-mentioned amino acids among the transfer RNA population
surrounding the protein biosynthesis.
[0031] Determination Of The Musical Period. Once the frequency of each musical note is determined, the musical period is determined by identifying similar series of musical notes. The existence of musical periods results directly from that of scaling waves.
DETAILED DESCRIPTION OF THE INVENTION
http://www.rexresearch.com/sternheimer/sternheimer.htm
PHENOMENON TO SHARE ; ( shared here
for SOS members) Hey folks wanted to share some observations here since mass /
weight to frequency is of significant interest to the Spooky2 community.
First some excerpts outlining the
essential phenomenon ;
BAUMIER ; "When
listening to a bomb dart on a molecule directly involved in a person's
problem, the induit effect can be spectacular, especially in comparison to that
which is generally attended to by music. This means that structurally, musical
inspiration is limited to a regulatory access window of a few notes
(corresponding to a maximum of amino acids), via which an interaction can take
place with our metabolism: consequently, l 'Effect observed with adequate
adequacy is typically of higher design or centenary, to which may be sometimes
observed with music. This is often perceived as very surprising, especially the
first time.
ό For all of this, it is important to
pay close attention to the listeners, in order to be able to stop at the first
cadence which follows the fall of the sensation of adequate perception by the
listener. The first criterion for the effect of a prototype is its
instantaneous recognition by the listener.
Joλl Sternheimer established the
frequency of these scales corresponding to the 20 amino acids used by the human
body, which gave him 10 distinct frequencies."
SEE LINK FOR MORE RELATED EXCERPTS
https://soundofstars.org/sternheimersproteodies.htm
Ok so lets dive into the phenomenon
part. Like our esteemed neighbor, the community "Spooky2",
SOS, its members, myself have long
followed Sternheimers research on scaling waves.
Baumiers proteodies really carries this
torch and extends, develops this well.
Something strange occurs however when
this general understanding and method actually gets applied in the real world.
I get the sense from reading much of our forum
here that Spooky2 members have also
noticed this, reported on their perceptions and impressions and have arrived at
similiar conclusions that SOS has.
That something "strange" is
that there appears to be an intermittent disconnect between Sternheimers
theoretical framework for scaling and its physical application.
Probably one of the more famous
examples of success for Sternheimer is where he is able to downscale by octave
the high frequency representation of mol. weight of a bio-active agent like a
protein or similiar and then when that frequency is literally within a human
hearing range between high ULF to low RF (possibly perceptible as an audible
sound), he actually evokes a significant biological response, to the degree
where actual state change occurs measurably. For example yeast growth in bread
rising or dairy production in cows are increased. The basic premise he gives is
that state(s) have affinity for each other and that state properties are
scalable, specifically he says the operative window is around 76 octaves.
Peculiarly, we at SOS and the Spooky2
community have both experienced wonderful results from having applied the
theory of this in a practical way.
It really does seem to "work"
- BUT - not all the time. And this is the very weird phenomenon.
The theory makes sense and it seems to
practically work. Why however does it not work "all" of or even most
of the time for most people / situations?
We can have the same frequency bank,
the same set of values and simply raise and lower the octaves ( never mind even
adjusting the harmonics) and we will often see very different effects
distributed among very different octave levels.
At SOS we have noticed this and we
applaud Spooky2 tech for brilliantly, intuitively executing scan routines to
take this into account, hence the targets signature / footprint detection by
octave (and harmonic) in the biofeedback method in GX and XM.
The crux is we have noticed that
"time" or "timing", literally the date and or time often
plays a curious role in sensitivity and effectiveness per octave levels (low vs
high) broadcasted.
Observed also are some cases where a
given scaling wave footprint for a given target tends to be more effective,
consistently over time ( even when and during "time" variabilities)
when its in a much higher octave vs a much lower octave.
So for example, consider a targets
inherent natural frequency representation before downscaling it to be in a
range anywhere from the low Ghz and up. To manipulate the target in a desirable
way we may find that values in the Khz to Mhz bands may suffice, much of the
time. However in some cases we may be able to get good results from even lower
octaves ranging from the mid ULF to low RF (audible range ).
This is very curious especially when
and if working with micro-organisms, different species, specimens may respond
well to low ULF but not to higher bands and the converse is true, some will
respond well to mid RF and up but not to low ULF.
Current sci literature describes how
insect pests can be "baked" by Ghz range targeted frequencies, the
frequency profiles used are typically thermal ceiling failures related to
things like thorax structural integrity limitations.
An argument can be made of course that
higher frequencies can carry more energy and thus do more damage potentially,
especially in a small localized envelope.
There is a piece missing here however
and while I get the sense that Sternheimer broadly hints at this Ive yet to see
him describe it adequately. At SOS we have some thoughts and ideas weve been
bantying about for a while but Id love to hear some feedback from the Spooky
community on this topic.
Getting the effect desired is obviously
related to many factors. We need to have the right frequencies, there has to be
a sufficient load (energy) placed on the system, the dwell time should be
appropriate, etc...
In a nutshell though, the question
still remains, why do some octave ranges scaled up or down work better for
different situations, even when you have organisms that have similiar
dimensions, size, density, mass,
etc....
SEE ALSO ; Something
happens then which you do not yet find in your books, namely that the
aminoacid, at that moment, emits a signal. This signal is a
wave of a quantum nature which is
precisely called a scaling wave (2).
------------------
NEW EXOTIC TECH ARTICLES
RECENT ( CURRENT ) ;
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ANTI-AGING EXOTIC CUTTING EDGE TECHNOLOGIES
HOW TO
TUNE YOUR ROOM & FIND THE RESONANT FREQUENCIES OF A STRUCTURE
THOUGHT IS ELECTRIC,
EMOTION IS MAGNETIC
QUANTUM BIOLOGY & THE
SECRET OF BLUE LIGHT
GENETIC
KEYS to Spirituality : CD38 & VMAT2
WHATS NEW AND EXCITING AT S.O.S ?
.
CAUSES & TREATMENT METHODS FOR ALS LOU GEHRIGS DISEASE,
DEMENTIA, ALZHEIMERS, STROKE LIKE INCIDENT
These documents outline key considerations for the three main health
issues of ;
ALS LOU GEHRIGS DISEASE
DEMENTIA / ALZHEIMERS
STROKE LIKE INCIDENT
ALS METHODS
https://soundofstars.org/alsmethods.htm
ALS CAUSES
https://soundofstars.org/alscause.htm
.
Plato
imagines artistic inspiration as an electromagnetic field and refers to
unethical symmetric
mathematical
information electromagnetic wave-fronts being capable of inducing
disease, as a
demonizing of
art (Morton T. 2012). The mathematical programming of gambling machines
using
electromagnetic sound and colour vibrations to induce heroin-like addictions
leading to
unethical
states of financial and moral bankruptcy supportsMortons Science-Art
research
REPLICATING MOLECULAR MAGNETIC FIELDS
https://soundofstars.org/replicatingfields.htm
FREQUENCIES OF THE GEOMETRY OF MIND
https://soundofstars.org/frequenciesofmind.htm
FREQUENCIES OF NEUROBIOLOGICAL RESONANCES &
CEREBRAL BREATHING
https://soundofstars.org/enzymefrequencies.htm
USING SOUND TO CONTROL ENZYMATIC REACTIONS
https://soundofstars.org/enzymefrequencies.htm
ELECTROMAGNETIC PATTERNS OF CONSCIOUS ENERGY
https://soundofstars.org/consciousenergy.htm
ALUMINUM: HOW TO REMOVE WITH SILICA
https://soundofstars.org/aluminumremoval.htm
NEW - FREQUENCIES OF ATOMS
- TRANSFORMING THE SPECTRAL LINES OF EACH ELEMENT
INTO A MUSICAL TONE
https://soundofstars.org/atomsongs.htm
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the lens took
rays that were global and made them local.
the phase is where you are in the cycle of the wave: are you in a peak, a trough, the middle,
etc. But for this derivation, just know that its the
stuff to goes into the exponent of the complex
exponential.
The transform is
fundamental tool in science, but also is how your eyes see the world.
Equation 2: the wavevector definition, where the unit vector n
points in the
direction of propagation. λ is the wavelength of light. where n is a unit vector pointing
along the ray.
Because of
the k-label, its also standard to call these k-vectors. This is
the k goes into our wave
function exp(ikr).
https://www.cantorsparadise.com/the-fourier-transform-in-your-eyes-84cfe0fa31b4
PETER
KINGSLEY: Parmenides and Empedocles lived just before the time in Western
history when, with Plato and the influence of Aristotles disciples, we start
to get the general notion that the senses lie. And because of this idea they
were completely misunderstood.
P:
So this is not a new idea.
PK: No, no. Its implicit even before Plato, and later Greek philosophers
formulate it very clearly: the senses are liars. Now Empedocles also begins his
teaching poem by saying that the senses lead people astray. And so does
Parmenides before him. But people dont really read what they say. Instead they
think: well, Parmenides and Empedocles tell us the senses are unreliable
therefore we have to find truth through some other means.
It
sounds very logical. The trouble is Empedocles and Parmenides never said that.
What they said is that the senses aswe know them are unreliable,
because we were never taught how to use them. Empedocles in particular was very
specific. He explained that our senses are still closed. For him, we humans are
plants: human plants. Actually we are seeds and have not yet become plants. We
have not budded yet, have not yet started to open and blossom. We have the
potential to become full human beings but the potential has not been realized.
And I find this amazing and terrifying, that someone 2,500 years agosomeone
who was laying the foundations for all our philosophical and scientific
disciplinessaid were not yet human, because what he said then applies just as
much to us today.
https://parabola.org/2016/11/01/common-sense-an-interview-with-peter-kingsley/
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