When listening to a “bomb dart” on a molecule directly involved in a person's problem, the induit effect can be spectacular, especially in comparison to that which is generally attended to by music. This means that structurally, musical inspiration is limited to a regulatory access window of a few notes (corresponding to a maximum of amino acids), via which an interaction can take place with our metabolism: consequently, l 'Effect observed with adequate adequacy is typically of higher design or centenary, to which may be sometimes observed with music.

This is often perceived as very surprising, especially the first time.

ü For all of this, it is important to pay close attention to the listeners, in order to be able to stop at the first cadence which follows the fall of the sensation of adequate perception by the listener. The first criterion for the effect of a prototype is its instantaneous recognition by the listener.

Joël Sternheimer established the frequency of these scales corresponding to the 20 amino acids used by the human body, which gave him 10 distinct frequencies.

Something happens then which you do not yet find in your books, namely that the aminoacid, at that moment, emits a signal. This signal is a wave of a quantum nature which is precisely called a scaling wave (2). This means that it connects different scales together, and more particularly the scale of each amino-acid to the scale of the processing protein. This signal has a certain frequency and a certain wavelength. Its wavelength is given by a very classical formula. It is the ratio of Planck´s constant over the product of the mass times the speed of the amino-acid. When the amino-acid is in its free state, its wavelength is much smaller than its size and it behaves like a particle submitted to thermal agitation. But when the amino-acid is being hooked onto the tRNA, its wavelength becomes of the order of its size, because it is strongly slowened by the tRNA, and its wavelength, which is inversely proportional to its speed, then increases to the order of the amino-acid size. And when this whole system is in turn hooked onto the ribosome, which is still about 200 times bigger than the tRNA, the amino-acid wavelength then becomes much larger than its size, perhaps about 5 to 6 times in average. This means that at this moment the behaviour of the amino-acid becomes wavelike, which is expressed by the fact that when the system is being hooked onto the ribosome, the amino-acid emits a signal. The equation of motion of this wave is not a simple Schrödinger or Klein-Gordon equation. It is a scaling wave equation, as follows:

so that without the exponential term that you see here, it would be the Klein-Gordon equation, but with this term which includes a scale parameter, the wave also propagates in scale, and therefore connects different scales together. The general solution of this equation is very peculiar: it is a sum of waves analogous to light waves, but with speeds that are different. There is a fastest one and another one twice as slow, and still another one three times as slow, and so on. I will here show in bigger size what I draw earlier. The individual amino-acid on one side, and the processing protein chain on the other. At a given moment, a wave is emitted from an amino-acid, then a slower one will arrive after a time twice as long, and a third one will arrive after a time three times as long, and so on. One will get periodic superpositions of the vibrations of these amino-acids.

As each of those vibrations itself contains harmonics, the neat result will be the existence of constraints in the succession of frequencies of those amino-acids, and so in the succession of the amino-acids themselves which will therefore be not random in the protein: namely these superposition properties draw along the succession of those frequencies to be musical. Take for example a well-known protein which is the one before last protein of the respiratory chain, and is called…

If one looks at the frequencies associated with each of these amino-acids, as it is possible to compute them -- the calculation is rather complex, but results in a code which is fairly simple -- well, modulo a certain number of octaves (approximately 76 octaves, since the magnitude of those amino-acid frequencies, namely of the signal emitted from them, is of the order of about 1025 Hertz), then precisely, the frequency for glycin will be 220 x 276 Hertz;

….similarly for serin it will be 330, for the one coming next in the sequence 440, always modulo 76 octaves, that is times 276 Hertz. These frequencies are musical [pointing onto the amino-acids of the sequence written on board], here is an A, here an E, and here again an A an octave higher; and if one looks at the succession of the frequencies and enters it into the memory of a synthetizer, one gets a melody. Glycin is an A, asparagin is a G, valin is an F, so one gets [singing the melody], and it goes on [following of the melody singing]... I hope I did not sing it too bad, but if it gave you a somehow nice feeling, this is probably not by mere chance, but because...

When the cytochrome C molecule is being processed, the scaling waves it emits do not bound themselves to stimulate, to act on the protein itself, but they also act on other proteins of the organism. The melody I just sang before you involved approximately 4 to 6 notes per second, corresponding to 4 to 6 amino-acids per second: this does correspond to the biosynthesis of the cytochrome C molecule, where 1/4th of a second represents the average time it takes a new amino-acid to get hooked on the elongating chain…… these melodies are not just a kind of molecular amusement, so to speak: they sign up the function of the protein. The proteins which share similar melodies will find themselves homologous in a metabolic chain. They will stimulate each other like those.

The proteins whose melodies correspond to scaling waves in phase opposition, will yield other melodies and will find themselves anti-homologous. There will be a phase opposition, which will inhibit synthesis. Thus, when we make our own proteins, by the very fact that we make them and through the scaling waves they emit, they will stimulate or inhibit other proteins. So the synthesis of a protein when we are making it will have an action on other proteins of our organism.

INJECTED PROTEINS ARE "BAD" ; "...when we make it, we stimulate other immune defence molecules, which is not at all the case when the protein is for instance produced by genetic engineering and injected into the body. All those effects are lost when a protein is injected that we do not make ourselves. Therefore one would need much more of it to get similar results, and that is why one gets side effects. So in this case it is better (and much more interesting) to stimulate our own proteins, rather than adding them from outside; one will not get those obnoxious side effects."

It is now that something interesting happens when one listens to those melodies such as the ones I sang you a bit earlier, which are transpositions down 76 octaves, of the quantum melodies of proteins. In our ear (here I draw an ear), inside there is a small shell that is called the cochlea, and inside this cochlea, are found the so-called hair-cells. In those hair cells, the acoustic wave which is received in the ear is transformed into electric current which is called microphonic potential because it exactly reproduces the shape of the acoustic wave like a microphone. All those microphonic potentials, of course, sum up in the nervous impulse (or summation potential).

But before the nervous impulse goes to the brain, the microphonic potential, who also obeys an equation of this type [showing the scaling wave equation written on the board], sends scaling waves which go directly onto the ribosomes. Scaling waves indeed have quantized ranges: there are several solutions, but one in particular is close to Avogadro´s number, and can thus achieve a transposition between the quantum scale and our scale. The electric current which is called microphonic potential, and which reproduces the shape of the acoustic wave, thus sends a signal which is a scaling wave and reaches directly onto the ribosomes where protein synthesis is taking place. So we have two circuits for hearing. One goes to the brain, with the interpretation of acoustic signals by the brain, and there is another one which, starting from cochlear hair cells, reaches directly onto cellular ribosomes.

When we listen to the melody of a protein transposed, when we listen to it acoustically, a resonance phenomenon occurs, which is a scale resonance, and will stimulate (or inhibit in case of phase opposition) the corresponding protein synthesis. Since, happily enough, we also have a brain with its own circuits (otherwise it would be very dangerous), we can be aware and consciously know whether the sequence of sounds, the melody we listen to is convenient for us, whether we like it or not. If it is not convenient, we can protect us from it -- we can close our ears -- but if it is, we can acknowledge it and heal ourselves in this way. So there is a whole therapy based on this principle, and which consists, when somebody is sick for some reason, in making the hypothesis that may be this or that gene is involved; so that the corresponding protein should accordingly be stimulated, or inhibited. And one proposes it to the person to listen to. Only she can then know whether the corresponding melody is convenient for her; in which case she will listen to it, and this will stimulate the synthesis of the protein which was deficient. (...).

https://www.researchgate.net/profile/Joel-Sternheimer/publication/281103244_EPIGENETIC_REGULATION_OF_PROTEIN_BIOSYNTHESIS_BY_SCALE_RESONANCE_Invited_lecture/links/55d54ad608aef1574e97623c/EPIGENETIC-REGULATION-OF-PROTEIN-BIOSYNTHESIS-BY-SCALE-RESONANCE-Invited-lecture.pdf

1 Principle of protodes

During the synthesis of a protein within a cell, the successive "accrual" on a ribosome of amino acids carried by their transfer ARN, give place to the emission of scales. Each onde is characteristic of the amino acid. The property of the scale is that which proceeds in an infinity of different situated scales. By calculation, Joël Sternheimer established the frequency of these scales corresponding to the 20 amino acids used by the human body, which gave him 10 distinct frequencies. The finding was as follows: when we "repel" in transposing in the audible domain the chaining of specific frequencies of amino acids amino acids of a protein, we observe an increase in the synthesis of this protein. The sequence of its specific sounds in the synthesis or inhibition of a protein is called Protéodie.

This page is for vocation to explain what are the prototypes, uses that one can do.

The patent for this application was validated by a judgment of the European Office which recognized the existence and reproducibility of the phenomenon, in particular on microorganisms and cells in culture, as well as the correlation between the positive reaction of a subject to the listening of a protédie and the action on the corresponding protégé synthesis.

https://web.archive.org/web/20080216011645/https://baumier.net/

Genodic applications are potentially very important. Whether in the realm of plants, animals or humans.

1.a La proteodie

A protédie is made up of a suite of notes, a sort of melody. However, the relevant information is found as "carried" by the collection of notes. A little like the language. The words are sensible, but not idea. When we talk, we use the words to convey ideas, concepts, to pass a message. And it turns out that there is no need to finish the phrase to understand! Even so, the protégé has the power to evacuate the cell! She brings him a message, like a production invitation or a reduction in the production of a protein. It also comes down to the fact that language is an inducer of emotions: poetry is evocative, the metaphor too. We have noticed that the protédie has, in a direct and profound way, a port of this order. In effect, the listening of a protégé is triggered by an emotional buffet, a reminiscence of sometimes forgotten souvenirs. The repression of the gene coding for the protein can thus also resurrect the context - sometimes earlier - that would have caused a blockage at this level.

1.b The characteristics of a protein

ü The melody of a protégé escapes partly from human cognitive processes. This would mean that even after several listens, it is impossible - far from it - even for a chevroned musician, to secretly rewrite the melody.

ü The prototype is pleasant, very appreciated (and perceived at the moment as ‘just’, depending on the decoding) as the body needs stimulation corresponding to this prototype.

ü The protédie is perceived as unpleasant in the inverse case.

ü It arrives that with repeated listening (or beyond a certain duration), a pleasant departure can become frankly unpleasant. This corresponds to a corresponding production threshold for protein, income in excess. That's why the spirit in which to listen is crucial: it's the topic that can be said if it's good or not! And often, an apprenticeship period is necessary to learn to remember "what happens". In neither case can the practitioner (and should) decide on the good or bad effect of a protégé on a person.

1.c The subject / object relation

Fundamental to genocide, it finds the listener as being human from the inside, as an actor in its own history. The listener can only feel at the moment of listening. And the relationship between the practitioner and the listener must respect this reality. The listener is not reduced to being the receptor of a music sum to listen to, it is not a cybernetic system for whatever mechanical cause or even with a program of randomness, tel effect. However, it is the work of the Genodic practitioner to propose such or such a prototype during the listening test, relying on its knowledge. The affinity of a listener for a prototype determines only the positive effect on the regulation of the synthesis of the protein.

1.d Listening conditions

The use of proteins is not without us reveals some surprises…:

ü When listening to a “bomb dart” on a molecule directly involved in a person's problem, the induit effect can be spectacular, especially in comparison to that which is generally attended to by music. This means that structurally, musical inspiration is limited to a regulatory access window of a few notes (corresponding to a maximum of amino acids), via which an interaction can take place with our metabolism: consequently, l 'Effect observed with adequate adequacy is typically of higher design or centenary, to which may be sometimes observed with music. This is often perceived as very surprising, especially the first time.

Individual training in listening and the use of proteins

Objective: to have a selection of proteins for its personal use.

The human applications of the protégés are based on their controllability conscious by the listener, who gives them a special status. Thus, in its decision of 8 March 2004, the Chamber of Appeals of the European Office of Letters recognized as "established and dismantled without ambiguity" the fact, judged by the receivables, that the "positive response to a listening test. .. there can be no action on the synthesis of the corresponding protein ". It establishes a distinction, as opposed to the simple "presentation of essentially intellectual information", that of the "therapeutic treatment of human and animal bodies", both excluding patentability under European law. In a sense, this decision legally characterizes the subject matter.

It is not in fact a simple "information presentation", since a specific action can be taken for granted on the synthesis of a protein; nor of a "therapeutic treatment of the body", since this action requires a positive reaction of the subject's consciousness.

When listening to a protédie is well-respected by the subject, he consciously acknowledges the positive, and seeks spontaneously to appropriate what he does well - it is up to him to memorize what he perceives then as a melody (in the opposite case, it carries a suite of sons that makes it seem incoherent). However, the limits to melodic memorization seem to be that the "reconstructed" subject is inevitably simplified compared to the original: it is not partially memorized as a melody, not the prototype. But when the air spontaneously surges to the spirit, this surplus even translates the contact, or the need for contact, with the percussion regulation as necessary of the expression of the corresponding gene.

Thus, a current virus can be considered a priori no more like an enemy provoking a phobic reaction (which would not necessarily be the best adapted to the situation), but as a partner with which a dialogue can be engaged and which can be approved . It's that it verifies in the measure where all the proteins of a tel virus are not necessarily trained in the sense of inhibitor by the listener, but only certain of them, so listen to them then translate by an inhibition of the virus. Better yet, their spontaneous emergence in the spirit of the possibility of prevention, in both senses of the term, a new contamination by an appropriate listening, would simply be peaceful then that which has been memorized.

Where is the interest in learning to utilize the prototypes under the conduct of an experienced practitioner.

Educational training objectives:

learn to listen

understand by listening tests that it is a prototype

learn to select the proteins that will convince you instantly

learn to listen to your prototypes in an autonomous way

understand the "semantics" of the listening protédie

In terms of these sessions, and depending on the adequacy with the tested prostheses, a selection of prostheses can be placed on an audio support (CD-ROM or minidisc)

https://web.archive.org/web/20080216011645/https://baumier.net/

THERE IS A "SUBJECT" IN THE OBSERVED OBJECT

HARMONIC RESONANCE

A THEORUM BY A. TRUE OTT PHD

The theoretical research of Joël Sternheimer led him to introduce additional dimensions to space-time. That is to say that beyond the dimensions of our usual universe (length, width, height, and time), dimensions that escape our 5 senses necessarily exist to maintain the coherence of the universe. Some of these additional dimensions are interpreted as being dimensions related to the subject.

In short, this would mean that the observation of an object by a person underlies a vibratory "connection" inducing that there is a subject in the observed object.

The implications of these assumptions are very important in the way we perceive and act in the world. The integration of the subject is a necessity

http://www.pulsedtechresearch.com/wp-content/uploads/2013/06/True-Ott-Plagiarism-Harmonic-Resonance-Article.pdf

Proteodies

“A music of the living”

As part of his conferences on living things, Jean-Marie Baumier offers an original approach, at the crossroads of physical, biological and musical sciences, as well as ancestral knowledge. Faced with the current challenges facing our civilization, a paradigm shift appears necessary.

The subject he exposes, the proteodies, represent a way of research and discovery of one of our vibratory realities. Indeed, the expression of our DNA derives specific waves during protein synthesis. The transposition of these waves into audible frequencies have particular properties, both melodic and harmonic.

Resulting from Joël Sternheimer's research on particle masses, these wave transpositions are called Proteodies. They arise from the necessary reintegration of the subject into science.

The meaning of these waves and the properties associated with them, as well as their usefulness in everyday life, using these musical waves as a tool for regulating protein synthesis in living beings are discussed:

-Substitute solutions for treatments in agriculture.
-Preventive and curative measures in humans and animals.

Proteodies allow us to better understand shamanic work, its relevance, the “merits” of traditional songs which often tell us a particular story.

Sounds that heal wine!

Meeting with the Médeville vineyards, Château Fayau de Cadillac.

At the heart of the Bordeaux vineyards, Marc Médeville tells us how he turned to Génodique to take care of his vines. The use of sounds diffused in the vines to fight vine diseases then becomes a remedy beyond all expectations in a context of a return to agriculture that is more respectful of the environment.

For the seminar “When the Magicians meet the scientists”, the Médevilles vineyards in Cadillac, also offer us a tasting of wines that have grown to the sounds of the Proteodies.

https://www.sonetsoin.com/maitres/jean-marie-baumier/

The genodic

Healing plants with protein melodies: proteodies

The genodic is an innovative technology enabling crops and livestock to resist diseases, adapt to changes in the environment and grow better .

Of known melodies proteodies to strengthen metabolism, stimulate natural defenses, limit the development of pathogens and reduce their impact .

Genodics, innovative solutions to help your crops resist diseases, climate variations, and grow better.

https://www-genodics-com

https://web.archive.org/web/20070712144612/http://members.aol.com/jmsternhei/

ALTERED STATES, PSYCHO-ACTIVE SUBSTANCE EMULATIONS

FREQUENCY EMULATIONS FOR DMT & AYAHUASCA

CAREFUL! THESE ONES ARE REALLY STRONG !!!

FOUR ATTRACTIVE OPTIONS TO SUIT YOUR BUDGET AND CIRCUMSTANCES.

Sale prices in effect for the month of July 2012.

To view track title names, pricing, scroll down past the ‘Description’ section ;

DMT Convergence Module : Contains five of the most powerful DMT & Ayuhuasca tracks

from our recent, popular collection. These are the best audible tracks for a pleasant yet very

Strange listening experience. Very, very potent – use gingerly, at lower volumes for less time

When first starting out.

DMT CONVERGENCE MODULE

SALE PRICE ; $79.97 USD

DMT & AYUHUASCAS FULL COLLECTION

Access here ; http://soundofstars.org/dmt.htm

Extended altered states kit

SALE PRICE ; $159.97 USD

standard altered states kit

SALE PRICE ; $129.97 USD

Track titles for collections ( lists ) ;

DMT CONVERGENCE MODULE

File list :

· CNV AYAHUASCA DMT ALKALOIDS SOS ANCESTRAL MEMORY.mp3c

· CNV AYAHUASCA DMT ALKALOIDS SOS TRUE SELF MEMORY.mp3c

· CNV DMT SOS DREAMING AWAKE.mp3c

· CNV DMT SOS INTERNAL IMAGERY LAYERED.mp3c

· CNV DMT SOS SUBSTANCE PROFILE.mp3

DMT & AYUHUASCAS FULL COLLECTION

ON SALE TILL END OF JULY 2021, see link for more ;

http://soundofstars.org/dmt.htm

Extended altered states kit

File list :

· CNV AYAHUASCA DMT ALKALOIDS SOS ANCESTRAL MEMORY.mp3c

· CNV AYAHUASCA DMT ALKALOIDS SOS TRUE SELF MEMORY.mp3c

· CNV DMT SOS DREAMING AWAKE.mp3c

· CNV DMT SOS INTERNAL IMAGERY LAYERED.mp3c

· CNV DMT SOS SUBSTANCE PROFILE.mp3

· INDUCE DREAM TELEPORTATION.mp3c

· MAGIC MUSHROOM FIZZY BODY HIGH.mp3c

· MAGIC MUSHROOM FOCUSED ALTERED STATE.mp3c

· MAGIC MUSHROOM HAPPY LAUGHS.mp3c

· MAGIC MUSHROOM INNER TRIP OUT.mp3c

· MAGIC MUSHROOM INTENSE TRIPPING.mp3c

· MAGIC MUSHROOM MELLOW BLISS OUT.mp3c

· MAGIC MUSHROOM SLOW FLOATING.mp3c

· PSYCHO KINETIC ORGASMATRON D 1.mp3c

· PSYCHO KINETIC ORGASMATRON D 2.mp3c

· NTH DEGREE D 1.mp3c

· LITHIUM EMULATION.mp3c

· LSD EMULATION.mp3c

· IBOGAINE EMULATION.mp3c

· LSD 2.mp3c

· LSD 3.mp3c

· LSD 4.mp3c

· LSD 5.mp3c

· Neuroteleportal 1 D.mp3c

· Space Warp Yeah Really It Warps Baby.mp3c

· TELEPATHYZER - Medium D.mp3

· Neuroteleportal 2 D 2 .mp3c

· HYPERSPACE EVOLVER.mp3c

· Brain Booster Piracetam Combo.mp3cplay button

· SALVIA DIVINORUM BEGIN ECSTASY.mp3c

· SALVIA DIVINORUM TRIP 7.mp3

standard altered states kit

· INDUCE DREAM TELEPORTATION.mp3c

· MAGIC MUSHROOM FIZZY BODY HIGH.mp3c

· MAGIC MUSHROOM FOCUSED ALTERED STATE.mp3c

· MAGIC MUSHROOM HAPPY LAUGHS.mp3c

· MAGIC MUSHROOM INNER TRIP OUT.mp3c

· MAGIC MUSHROOM INTENSE TRIPPING.mp3c

· MAGIC MUSHROOM MELLOW BLISS OUT.mp3c

· MAGIC MUSHROOM SLOW FLOATING.mp3c

· PSYCHO KINETIC ORGASMATRON D 1.mp3c

· PSYCHO KINETIC ORGASMATRON D 2.mp3c

· NTH DEGREE D 1.mp3c

· LITHIUM EMULATION.mp3c

· LSD EMULATION.mp3c

· IBOGAINE EMULATION.mp3c

· LSD 2.mp3c

· LSD 3.mp3c

· LSD 4.mp3c

· LSD 5.mp3c

· Neuroteleportal 1 D.mp3c

· Space Warp Yeah Really It Warps Baby.mp3c

· TELEPATHYZER - Medium D.mp3

· Neuroteleportal 2 D 2 .mp3c

· HYPERSPACE EVOLVER.mp3c

· Brain Booster Piracetam Combo.mp3cplay button

· SALVIA DIVINORUM BEGIN ECSTASY.mp3c

· SALVIA DIVINORUM TRIP 7.mp3

Description : “altered states kit “

To view more information on our popular “Altered States” Collection you can view our legacy

Links describing this. Note, by “Legacy” we mean our older website – so these are older pages.

Members have been enjoying these tracks regularly, for a long time ( much thanks ) but no

We have not yet updated these old web pages. You are welcome to view out content here ;

GENERAL USAGE TIPS, SEE ; https://www.soundofstars.org/welcome

altered states kit

more information & links ;

https://soundofstars.org/alteredstatesreportscurrent.htm

https://soundofstars.org/altstate.htm

https://soundofstars.org/altstatetestimonials.html

https://soundofstars.org/altstateprotocol.htm

salvia divinorum collection ;

https://soundofstars.org/salviasummaryreportsrecent.htm

https://soundofstars.org/salviasummaryreportsrecent-new.htm

After purchase please allow up to 36 hours for your access and download links.

Normally most orders are filled within 24 hours.

CATEGORY DESCRIPTIONS :

DMT

Method Used for these tracks :

The movement and geometry of the DMT molecule is mapped over time and space - the associated data

descriptors are converted directly into an audible set of frequencies.

The first method used was the capture of weight and mass profiles of the substance and the use of a

Sternheimer similiar scaling wave octave division to the audio spectrum.

The other method used to generate these tracks is similiar to the modelling of the LSD molecule and

related effects as described in "Background of effect potential"

.....................................

Background of effect potential ; ""HIGH" THROUGH ACOUSTIC REPRESENTATION

EXCERPTS FROM NEXUS ARTICLE ; "Sono-Chemistry and Advances in Neurophysics. To close, I

would like to just mention experiments being done combining the novel science of sonochemistry and

neurophysics. Amazing altered states of consciousness have been attained by some privately funded

researchers using sound and light, a combinat ion of physics and Yoga. From stereochemistry, the

precise molecular structure of certain alkaloids have been obtained, and their vibrational isomorphic

fundamental vibrational frequencies determined. Example: Ammonia, NH3, molecules vibrate at 40,000 cps .

LSD vibrates at about 11,000 cps. A tone was obtained from this vibrating molecule, and a large poster of

its molecular structure was made. By focusing on the chemical formula on the poster and playing the sound

harmonic/tone of the LSD molecule, a fabu lous psychedelic trance was experienced by eight volunteers, men

and women. No side effects, unpleasant emotions or after effects were experienced. The subjects remained in

the Theta brainwave through the entire three hour experience. Many OOBE, time trav el, and clairsenses

experiences were reported and monitored. The experiment was repeated at other times with close controls,

and similar experiences were reported. The information from these experiments was truly, truly amazing,

fabulous, fantastic — t o put it mildly. The psychokinetic and telekinetic feats were, I think, unparalleled

in the history of parapsychological research. A new biochemistry and pharmacology can emerge from

this study. I have passed this information to our Russian colleagues for future study, for it is their specialty

— paraphysics and biological radio. Ironically, the CIA and KGB are familiar with two alkaloid substances

known as telepathine and astraline. The former is in the chemistry handbook, the latter is new.

Interesting names! Thank you my friends. (Standing applause).

.....................................

USE CASE : For optimal results play as audio, high quality headphones are also recommended.

AYAHUASCA

Method Used for these tracks :

Similiar methods were used to model Ayahuasca as described above for DMT, with a difference.

Since ayahuasca is a much more complex compound than DMT on its own, consisting of DMT

and three essential alkaloids ;

·Harmaline

·Harmine

·Tetrahydroharmine Leptaflorine

The frequency emulations had to incorporate all four substances to approach an accurate depiction

for ayahuasca.

The four substances also had to be proportioned in the frequencies to mimic the actual proportion

dosage rates experienced by an atypical oral consumption. Special care was also taken to make

these tracks sound as pleasnat as possible while yet retaining the correct level of encoded

information describing the substance. Layered into the last track was also SOS directive

patterning describing associated states along with data descriptors of blood plasma state changes.

USE CASE : For optimal results play as audio, high quality headphones are also recommended.

EEG REPRESENTATIONS

Method Used for these tracks :

EEG scans were collected of individuals deep in the DMT state. Data was examined, extracted

and sonified ( converted to audiogram equivalents of EEF activity ).

USE CASE : For optimal results play as audio, high quality headphones are also recommended.

HALLUCINATORY TRIGGER PATTERNS

The Research on the Hallucinogenic Drug DMT

Method Used for these tracks :

Using a similiar approach as described via the Nexus and Sternheimer style methodology,

specific data representing atypical types of visions, triggers, psychedlia were encoded

directly into these tracks.

USE CASE : For optimal results play as audio, high quality headphones are also recommended.

CONVERGENCE - SOS LAYERED TO OTHER MODELS

Pay for EXECUTIVE RECOVERY - PART 1

Method Used for these tracks :

The most potent core module of this series are the 'Convergence' tracks, where multiple layers

of all critical methods along with our time tested SOS directives were combined. The end result

is a deeply profound, rapid tendencey to enter a psychoacoustic state rapidly. When I was

developing these and testing them, it was a bit spooky as I could feel their effects within 30

seconds at a moderate volume level.

The provided SOS directive patterns elicit deep emotional, mental states associated with DMT

and Ayahuasca

USE CASE : For optimal results play as audio, high quality headphones are also recommended.

SOS PATTERN DIRECTIVES

Pay for #1 - aa - BEST OF The Sound of Stars - KIT - Collection of 29 files

Method Used for these tracks :

The time tested SOS capture and encoding of states directly associated with both substances.

The states themselves are mapped, geometric relations defined and rendered. The end result

is a psychoacoustic pattern the body-mind recognizes, assimilates and entrains to.

USE CASE : For optimal results play as audio, high quality headphones are also recommended.

Can also be used on coil type devices for silent playback as an oscillating electro-magnetic field.

COIL VERSIONS MP3

Product picture PSYCHIC SHIELD.mp3

Method Used for these tracks :

The straight core molecular, weight, mass data for ;

DMT

AYAHUASCA ALKALOIDS :

·Harmaline

·Harmine

·Tetrahydroharmine Leptaflorine

are provided as singular tracks, allowing the experimenter to directly adjust exposure by

changing amplitudes (volume) on any of the individual tracks. This allows the experimenter to

manually adjust proportions of individual alkaloids and DMT as a mix.

Also, all DMT based coil files have a 7.36 hz spread as per ;

“Results also revealed the emergence of prominent theta oscillations under DMT, to the extent that this

rhythm replaced alpha as the peak frequency in terms of power (within the 4–45 Hz range:

mean = 7.36 Hz, SEM = 0.68). This emergent theta rhythm under DMT was more evident in the

oscillatory power spectrum, i.e. once the fractal component had been removed. “

https://www.nature.com/articles/s41598-019-51974-4

USE CASE : For optimal results use on coil type devices for silent playback as an oscillating

electro-magnetic field.

This can also be played as audio, high quality headphones - however the sound may not be

as pleasant as the other tracks.

BLOOD PLASMA - TERRAIN EFFECTS

Method Used for these tracks :

Real time blood plasma related analytics were used to capture emerging phenomena within the

blood terrain of persons under the influence of DMT, Ayahuasca. This data was converted into

sonification representations.

USE CASE : For optimal results play as audio, high quality headphones are also recommended.

Can also be used on coil type devices for silent playback as an oscillating electro-magnetic field.

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REGULAR PRICE AFTER JUNE WILL BE $349.97

After purchase please allow up till June 8^th for your access and download links.

Normally most orders are filled within 24 hours – if you purchase after June 3^rd

Please allow for the extra time due to SOS experiencing larger than normal

Work volumes.

FILE LIST :

DMT

1- DMT ROTATION OF MOLECULE ACROSS SPACE

2 - DMT EFFECTS RELATED TO GRAPH SPECTRA WV LENGTH

DMT 28P8 - 10 MIN CYCLE

DMT PROTOYPE - 1 G

AYAHUASCA

ALAKALOIDS - MOLECULAR MAPS

AYAHUASCA - DMT WITH - ALAKALOIDS - MOLECULAR MAPS - AUDIO VERSION PRIMARY

AYAHUASCA - DMT WITH - ALAKALOIDS - MOLECULAR MAPS - DREAM CYCLE

AYAHUASCA - DMT WITH - ALAKALOIDS - MOLECULAR MAPS - ROTATIONAL MOVEMENT

AYAHUASCA - DMT WITH - ALAKALOIDS - MOLECULAR MAPS

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EEG REPRESENTATIONS

3- EEG REPRESENTATION BURST CYCLE

4 - 3- EEG REPRESENTATION EXTENDED CYCLE

HALLUCINATORY TRIGGER PATTERNS

1- DMT SPIRAL PATTERN - 10 MINS

2 - DMT EMERGING PRESCENCE - 10 MINS

CONVERGENCE - SOS LAYERED TO OTHER MODELS

AYAHUASCA - DMT - ALKALOIDS - SOS - ANCESTRAL MEMORY

AYAHUASCA - DMT - ALKALOIDS - SOS - TRUE SELF MEMORY

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DMT - SOS - INTERNAL IMAGERY - LAYERED

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COIL - DMT MASS COMBINED - long

INTRO SALE PRICE FOR JUNE 2021 ONLY!

$ 169.97 USD

REGULAR PRICE AFTER JUNE WILL BE $349.97

After purchase please allow up till June 8^th for your access and download links.

Normally most orders are filled within 24 hours – if you purchase after June 3^rd

Please allow for the extra time due to SOS experiencing larger than normal

Work volumes.

The bandwidths can be viewed as space time curvatures functioning as coordinates, addresses

that can be manipulated via resonance.

the Super Tonic, Partial 9 is analogous the "C-Axis" of a crystal

"If you really want to pursue important concepts, you'll never be supported by your

contemporary society or colleagues by definition. Science is the pursuit the unknown,

make no mistake. Scientists are highly conservative individuals who run in a flock. They're

influenced by conservative central tendencies. That's the same as granting agencies.:

" Dr. Michael Persinger, Neurotheologist –

( more content to be added in 2021)

Bandwidths of Hyperspace

Sunday, June 26, 2011 8:20 AM

From:"Doc Stars" <doc_starz@yahoo.com>

To:"Michael Heleus" <mheleus1@>

Meant to get back to you on the following ;

> Question to ponder and investigate: what are the natural hyperspace

> bandwidths already in place for such navigation so we don't have to be

> egomaniac worms chewing arbitrary holes in space-time, so messing up

> the natural works? (How natural is that 43-related window of

> Tesla's?)

You may recall I sent a pdf file on Hartmut Mullers work to you a while back, one of the reasons for this was exactly in relation to what you expressed above.

I think its likely that in addition to investigating, testing and cataloging these bandwidths is the the need to view space time curvatures as coordinates, addresses. I think we'll find that we need to view a curvature as a complex structure and to engineer or manipulate such via resonance (mainly) will require a composite approach, including (but not limited to) the gravitational signature. As evidence, it already appears that a chunk of time space CAN be specified by Mullers gravitational standing wave in log space as demonstrated in this video ;

Hartmut Mullers Gravity Wave based GPS

http://www.youtube.com/watch?v=7zWFEMZG_jI

Not sure how up to speed you are on Basiago's reports of his personal time travel ( dubious accounts in our opinion at SOS) and instantaneous travel through space to Mars via different and various technologies, but if there is any truth to his reports, certainly the details he gives on the characteristics of the machinery and their usage eccentricities position themselves as candidates for shedding light on current and very tangible curiosities developing in genetics, musicology and contemporary blends of alt tech and esoterica

Example: Basiago claims in one of his trips for Project Pegasus he was placed in what was called a "jump room", essentially a plain square room that you entered on earth but then when you exited the room you were on Mars, the weird thing is he said that when activated the corners of the room could be seen to oblate.

In correspondence with Basiago I asked him if he knew how the project designers determined coordinates for temporal and interstellar travel, he said he didnt know the mechanism or method, but he did know that they were prone to making errors, sometimes gruesome ones and that apparently they could only define a destination in a fuzzy manner, not a precise one.

The following references may shed light on why the corners of the room oblated ;

==============

Merrick ; "..the space inside a semitone naturally creates the anti-harmonic geometry of an egg."

SPHENOMEGACORONA ;

"quasi-periodic" crystal of an egg, this is the anti-harmonic back ground shape of silence.."

"..provides the temporal coherence needed for spatial coherence and regular shapes to emerge in time.

Richard Merrick

http://www.tokenrock.com/dna_music/harmonic_evolution1.php

http://www.tokenrock.com/harmonic_nature/divine_egg.php

http://www.tokenrock.com/harmonic_nature/natural_balance.php

Chi Ming Yang

icosikaioctagon

("quasi 28 gon" : and 28/16 = 1.75)

quasi-periodic, egg geometry in human genetic code

http://www.tokenrock.com/stock/harmonicEvo7.jpg

AND ;

James Llyon References to 'The Golden Ovoid'

https://web.archive.org/web/20050111063308if_/http://www.britishdowsers.org:80/EEG_site/archive/articles/atd2002_issue25/images/JimFig2GoldenEgg1.JPG

http://britishdowsing.net/the-ubiquitous-ovoid/

http://issuu.com/innerstanding/docs/ancient_energy_earth

=============================

Llyon talks about how important it is to slice the funnel at a specific degree and also about how the mouths of the plumes were important considerations in understanding their effects on the environment

The upside, is that if what Basiago is saying is true then teleportation may be far easier and in closer reach than we imagined, on the down side if its used in a primitive but functional way a certain amount of risk is associated with its usage

However, despite all of the above, other aspects likely will have to be included, not just gravity....

Also, we still need to solve what Vogel couldnt, never did, but probably came close to and thats the actual mechanism of the resonant transfer function.... we know that the c-axis is likely involved somehow, and I figured there had to be an analog between Vogels c-axis findings and Merricks "Partial 9" or "Super Particular Ratio".... turns out I was likely right about that, at least in Merricks opinion.... here is a part of some recent correspondence I had with him ;

..............

From: Richard Merrick <richard@>

Subject: Re: Hi Richard!

To: "Doc Stars" <doc_starz@yahoo.com>

Received: Thursday, June 23, 2011, 1:16 PM

Hi Doc,

Yes, I think so - good observation. Think of this axis extending from the fundamental, through Partial 9 and on up to include all multiples of Partial 9, since they too would synchronize with the same key locations on the fundamental.

Crystallization is a process of spin alignment or polarization of the constituent elements. Different elements emphasize different harmonics in their atomic structure, which would then align around Partial 9 into particular geometries.

Since life is made up of 12% carbon-12 and 86% water, the crystallization of life is a gradient between these two atomic geometries. The geometry of carbon is apparent closest to the resonant heart and spine while the geometry of water becomes strongest in the limbs.

Thank you for the link. Crystal symmetry and cymatic symmetry are based on the same laws.

Richard

On Jun 23, 2011, at 12:04 AM, Doc Stars wrote:

Reading the text diligently and am skipping about various sections....

Something came to mind here, and wanted to ask your thoughts on this if I may

regarding pages 151 to 153

Would you say that the Super Tonic, Partial 9 is analogous in a concrete way to the "C-Axis" of a crystal?

See ;

http://www.tulane.edu/~sanelson/images/int1axis.gif

http://www.tulane.edu/~sanelson/eens211/axial_ratios_paramaters_miller_indices.htm