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As per Joel Sternheimer, excerpts and links provided below along with commentary

On concepts and issues from an SOS perspective ;

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"VICE" MAGAZINE DESCRIBES US ; "As for the frequencies themselves, Donald Adams,

a mathematician and former Microsoft software engineer from Edmonton, created them under

his company Sound of Stars. Using a huge database of research from the alternative and

contemporary health scene, he created mathematical maps of the different states of the brain

and applied them to an algorithm, which spat out the frequencies. His catalogue mostly deals

with healing and eliminating negativity. That's how the idea came of using it at parties.

I gave it to a friend, DJ Noor, just to experiment with his own creativity, but then it led to the

idea of us experimenting with audiences."

https://www.vice.com/en/article/qkazgw/canadian-electromagnetic-instrument

WHATS NEW AND EXCITING AT S.O.S ?

it is known that the physical existence of quantum waves associated to particles propagate themselves not only in space-time, but also in that scale dimension, thus linking together successive levels of the organization of matter.

These waves allow an action of one scale onto the other, between phenomena that are similar enough to constitute, in a mathematically well-defined sense, harmonics of a common fundamental tone.

The theoretical reasons for the existence of scaling waves makes them appear as a universal phenomenon whose function is at first to ensure coherence between the different scales of a quantum system, and that especially takes shape and can be described in the process of protein biosynthesis.

In the case of animals having a nervous system the sound wave is transformed into electromagnetic impulses of the same shape and frequency right from the starting point of the auditory nerve. These impulses, by virtue of the scale invariance of scaling wave equations applied to the photon (which generalize Maxwell's equations), have a direct action, by scale resonance, on their quantum transpositions. Because the squared quantum amplitudes are proportional to the number of proteins that are simultaneously synthesized, the resonance phenomenon results, in the case of scaling waves in phase, in an increase of the rate of synthesis, as well as a regulation of its rhythm, and in the case of scaling waves in phase opposition, in a reduction of this rate. (cf. P. Buser and M. Imbert, Audition, Hermann diteur, Paris, 1987). Among plants, the sensitivity to sounds is visible through interferometry and the scaling waves behave theoretically in a similar way.

[0003] Demonstration of the musical properties of elementary particles suggests an important role for the scale at which the phenomena happen. (J. Sternheimer, C. R. Acad. Sc. Paris 297, 829, 1983). For example, it is known that the physical existence of quantum waves associated to particles propagate themselves not only in space-time, but also in that scale dimension, thus linking together successive levels of the organization of matter. (J. Sternheimer, Colloque International "Louis de Broglie, Physician et Penseur", Ancienne Ecole Polytechnique, Paris, Nov. 5-6, 1987). These waves allow an action of one scale onto the other, between phenomena that are similar enough to constitute, in a mathematically well-defined sense, harmonics of a common fundamental tone. (See J. Sternheimer, Ondes d'e'chelle [scaling waves], I. Partie Physique; II. Partie Biologique. Filed at Academie des Sciences (Paris) 1992 under seal no. 17064).

[0004] The theoretical reasons for the existence of scaling waves makes them appear as a universal phenomenon whose function is at first to ensure coherence between the different scales of a quantum system, and that especially takes shape and can be described in the process of protein biosynthesis. The peptidic chain elongation effectively results from the sequential addition of amino acids that have been brought onto the ribosome by specific transfer RNAs (tRNAs). When an amino acid, initially in a free state, comes to affix itself to its tRNA, it is stabilized with respect to thermal agitation --while keeping a relative autonomy because it is linked to the tRNA by only one degree of freedom--for its de Broglie wavelength to reach the order of magnitude of its size. This stabilization gives the amino acid wave properties.

EPIGENETIC REGULATION OF PROTEIN BIOSYNTHESIS BY SCALE RESONANCE / Invited lecture

https://www.researchgate.net/publication/281103244_EPIGENETIC_REGULATION_OF_PROTEIN_BIOSYNTHESIS_BY_SCALE_RESONANCE_Invited_lecture

These waves allow an action of onescale onto the other, between phenomena that are similar enough to constitute, in a mathematically well-defined

sense, harmonics of a common fundamental tone.

The theoretical reasons for the existence of scaling waves makes them appear as a universal phenomenon whose function is at first to ensure coherence

between the different scales of a quantum system, and that especially takes shape and can be described in the process

of protein biosynthesis.

The theoretical research of Joël Sternheimer led him to introduce additional dimensions to space-time. That is to say that beyond the dimensions of our usual universe (length, width, height, and time), dimensions that escape our 5 senses necessarily exist to maintain the coherence of the universe. Some of these additional dimensions are interpreted as being dimensions related to the subject.

In short, this would mean that the observation of an object by a person underlies a vibratory "connection" inducing that there is a subject in the observed object.

The implications of these assumptions are very important in the way we perceive and act in the world.

The theoretical reasons for the existence of scaling waves makes them appear as a universal phenomenon whose function is at first to ensure coherence

between the different scales of a quantum system, and that especially takes shape and can be described in the process of protein biosynthesis.

[0029] The application of the universal code results in scaling waves respectively in phase with and in phase opposition to those taking place during the synthesis process. The term "universal code" means that this code is identical for all proteins to within the approximation of the tempered scale; the low A, for a central frequency located 76 octaves below the centre of gravity of the initial frequencies of leucine, isoleucine, and asparagine, is at 220 Hz. The expression of harmonic distance given above extends the definition suggested by Y. Hellegouarch in C. R. Math. Rep. Acad. Sci. Canada, Volume 4, Page 227, 1982. The exact values of the frequencies depend on the proportions of the groups of the above-mentioned amino acids among the transfer RNA population surrounding the protein biosynthesis.

[0031] Determination Of The Musical Period. Once the frequency of each musical note is determined, the musical period is determined by identifying similar series of musical notes. The existence of musical periods results directly from that of scaling waves.

DETAILED DESCRIPTION OF THE INVENTION

http://www.rexresearch.com/sternheimer/sternheimer.htm

PHENOMENON TO SHARE ; ( shared here for SOS members) Hey folks wanted to share some observations here since mass / weight to frequency is of significant interest to the Spooky2 community.

First some excerpts outlining the essential phenomenon ;

BAUMIER ; "When listening to a “bomb dart” on a molecule directly involved in a person's problem, the induit effect can be spectacular, especially in comparison to that which is generally attended to by music. This means that structurally, musical inspiration is limited to a regulatory access window of a few notes (corresponding to a maximum of amino acids), via which an interaction can take place with our metabolism: consequently, l 'Effect observed with adequate adequacy is typically of higher design or centenary, to which may be sometimes observed with music. This is often perceived as very surprising, especially the first time.

ü For all of this, it is important to pay close attention to the listeners, in order to be able to stop at the first cadence which follows the fall of the sensation of adequate perception by the listener. The first criterion for the effect of a prototype is its instantaneous recognition by the listener.

Joël Sternheimer established the frequency of these scales corresponding to the 20 amino acids used by the human body, which gave him 10 distinct frequencies."

SEE LINK FOR MORE RELATED EXCERPTS

https://soundofstars.org/sternheimersproteodies.htm

Ok so lets dive into the phenomenon part. Like our esteemed neighbor, the community "Spooky2",

SOS, its members, myself have long followed Sternheimers research on scaling waves.

Baumiers proteodies really carries this torch and extends, develops this well.

Something strange occurs however when this general understanding and method actually gets applied in the real world. I get the sense from reading much of our forum

here that Spooky2 members have also noticed this, reported on their perceptions and impressions and have arrived at similiar conclusions that SOS has.

That something "strange" is that there appears to be an intermittent disconnect between Sternheimers theoretical framework for scaling and its physical application.

Probably one of the more famous examples of success for Sternheimer is where he is able to downscale by octave the high frequency representation of mol. weight of a bio-active agent like a protein or similiar and then when that frequency is literally within a human hearing range between high ULF to low RF (possibly perceptible as an audible sound), he actually evokes a significant biological response, to the degree where actual state change occurs measurably. For example yeast growth in bread rising or dairy production in cows are increased. The basic premise he gives is that state(s) have affinity for each other and that state properties are scalable, specifically he says the operative window is around 76 octaves.

Peculiarly, we at SOS and the Spooky2 community have both experienced wonderful results from having applied the theory of this in a practical way.

It really does seem to "work" - BUT - not all the time. And this is the very weird phenomenon.

The theory makes sense and it seems to practically work. Why however does it not work "all" of or even most of the time for most people / situations?

We can have the same frequency bank, the same set of values and simply raise and lower the octaves ( never mind even adjusting the harmonics) and we will often see very different effects distributed among very different octave levels.

At SOS we have noticed this and we applaud Spooky2 tech for brilliantly, intuitively executing scan routines to take this into account, hence the targets signature / footprint detection by octave (and harmonic) in the biofeedback method in GX and XM.

The crux is we have noticed that "time" or "timing", literally the date and or time often plays a curious role in sensitivity and effectiveness per octave levels (low vs high) broadcasted.

Observed also are some cases where a given scaling wave footprint for a given target tends to be more effective, consistently over time ( even when and during "time" variabilities) when its in a much higher octave vs a much lower octave.

So for example, consider a targets inherent natural frequency representation before downscaling it to be in a range anywhere from the low Ghz and up. To manipulate the target in a desirable way we may find that values in the Khz to Mhz bands may suffice, much of the time. However in some cases we may be able to get good results from even lower octaves ranging from the mid ULF to low RF (audible range ).

This is very curious especially when and if working with micro-organisms, different species, specimens may respond well to low ULF but not to higher bands and the converse is true, some will respond well to mid RF and up but not to low ULF.

Current sci literature describes how insect pests can be "baked" by Ghz range targeted frequencies, the frequency profiles used are typically thermal ceiling failures related to things like thorax structural integrity limitations.

An argument can be made of course that higher frequencies can carry more energy and thus do more damage potentially, especially in a small localized envelope.

There is a piece missing here however and while I get the sense that Sternheimer broadly hints at this Ive yet to see him describe it adequately. At SOS we have some thoughts and ideas weve been bantying about for a while but Id love to hear some feedback from the Spooky community on this topic.

Getting the effect desired is obviously related to many factors. We need to have the right frequencies, there has to be a sufficient load (energy) placed on the system, the dwell time should be appropriate, etc...

In a nutshell though, the question still remains, why do some octave ranges scaled up or down work better for different situations, even when you have organisms that have similiar

dimensions, size, density, mass, etc....

SEE ALSO ; “Something happens then which you do not yet find in your books, namely that the

aminoacid, at that moment, emits a signal. This signal is a wave of a quantum nature which is

precisely called a scaling wave (2).”

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NEW “EXOTIC TECH” ARTICLES

FULL ARCHIVE VIA GROUP ACCESS

RECENT ( CURRENT ) ;

DNA REGENERATION : INCREASING THE LENGTH OF TELOMERES

ANTI-AGING EXOTIC CUTTING EDGE TECHNOLOGIES

HOW TO TUNE YOUR ROOM & FIND THE RESONANT FREQUENCIES OF A STRUCTURE

THOUGHT IS ELECTRIC, EMOTION IS MAGNETIC

QUANTUM BIOLOGY & THE SECRET OF BLUE LIGHT

GENETIC KEYS to Spirituality : CD38 & VMAT2

WHATS NEW AND EXCITING AT S.O.S ?

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CAUSES & TREATMENT METHODS FOR ALS LOU GEHRIGS DISEASE,

DEMENTIA, ALZHEIMERS, STROKE LIKE INCIDENT

These documents outline key considerations for the three main health issues of ;

ALS – LOU GEHRIGS DISEASE

DEMENTIA / ALZHEIMERS

STROKE LIKE INCIDENT

ALS METHODS

https://soundofstars.org/alsmethods.htm

ALS CAUSES

https://soundofstars.org/alscause.htm

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Plato and Frequencies

Plato “imagines artistic inspiration as an electromagnetic field” and refers to unethical symmetric

mathematical information electromagnetic wave-fronts being capable of inducing disease, as a

“demonizing of art” (Morton T. 2012). The mathematical programming of gambling machines

using electromagnetic sound and colour vibrations to induce heroin-like addictions leading to

unethical states of financial and moral bankruptcy supportsMorton’s Science-Art research

REPLICATING MOLECULAR MAGNETIC FIELDS

https://soundofstars.org/replicatingfields.htm

FREQUENCIES OF THE GEOMETRY OF MIND

https://soundofstars.org/frequenciesofmind.htm

FREQUENCIES OF NEUROBIOLOGICAL RESONANCES & CEREBRAL BREATHING

https://soundofstars.org/enzymefrequencies.htm

USING SOUND TO CONTROL ENZYMATIC REACTIONS

https://soundofstars.org/enzymefrequencies.htm

ELECTROMAGNETIC PATTERNS OF CONSCIOUS ENERGY

https://soundofstars.org/consciousenergy.htm

ALUMINUM: HOW TO REMOVE WITH SILICA

https://soundofstars.org/aluminumremoval.htm

NEW - FREQUENCIES OF ATOMS

- TRANSFORMING THE SPECTRAL LINES OF EACH ELEMENT INTO A MUSICAL TONE

https://soundofstars.org/atomsongs.htm

WHATS NEW AND EXCITING AT S.O.S ?

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WHATS NEW AND EXCITING AT S.O.S ?

The Fourier Transform in Your Eyes

“… the lens took rays that were global and made them local. “

the phase is where you are in the cycle of the wave: are you in a peak, a trough, the middle,

etc. But for this derivation, just know that it’s the stuff to goes into the exponent of the complex

exponential.

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The transform is fundamental tool in science, but also is how your eyes see the world.

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Diagram

Description automatically generated with low confidence Equation 2: the wavevector definition, where the unit vector n points in the

direction of propagation. λ is the wavelength of light. where n is a unit vector pointing along the ray.

Because of the k-label, it’s also standard to call these k-vectors. This is the k goes into our wave

function exp(ikr).

https://www.cantorsparadise.com/the-fourier-transform-in-your-eyes-84cfe0fa31b4

PETER KINGSLEY: Parmenides and Empedocles lived just before the time in Western history when, with Plato and the influence of Aristotle’s disciples, we start to get the general notion that the senses lie. And because of this idea they were completely misunderstood.

P: So this is not a new idea.
PK: No, no. It’s implicit even before Plato, and later Greek philosophers formulate it very clearly: the senses are liars. Now Empedocles also begins his teaching poem by saying that the senses lead people astray. And so does Parmenides before him. But people don’t really read what they say. Instead they think: well, Parmenides and Empedocles tell us the senses are unreliable therefore we have to find truth through some other means.

It sounds very logical. The trouble is Empedocles and Parmenides never said that. What they said is that the senses aswe know them are unreliable, because we were never taught how to use them. Empedocles in particular was very specific. He explained that our senses are still closed. For him, we humans are plants: human plants. Actually we are seeds and have not yet become plants. We have not budded yet, have not yet started to open and blossom. We have the potential to become full human beings but the potential has not been realized. And I find this amazing and terrifying, that someone 2,500 years ago—someone who was laying the foundations for all our philosophical and scientific disciplines—said we’re not yet human, because what he said then applies just as much to us today.

https://parabola.org/2016/11/01/common-sense-an-interview-with-peter-kingsley/